ABOUT  XINYU XUXX 

she / it


born in 1998, China.


currently based in London, UK



XINYU XUXX is a Chinese-born. London-based image artist and screening organiser.

She is one of the organisers of If Splash as your Whitsle 水哨, a programme showcases queer, diasporic moving images and artist films through multimedia art events. 

Xinyu’s practice is based on the image as the medium, including moving images, prints, video installations, and short films. Currently, she is exploring the vulnerability and performativity of the image as a digital body, contribute to the visual intimacy and caring experience, how the image uses its own fluid body to inhabit different spaces and times, providing in-between spaces for the marginalised body in the context of diasporic queerness.



 

︎  instagram: xinyuiris

email: xinyuxuiris@ gmail.com



        

Education:

2023-2024      Conditions Studio Programme, London, UK

2021- 2023     MFA Fine Art, Goldsmiths, University of London, UK

Jan-July 2021 Graduate diploma, Fine Art, Royal College of Art, UK

2016-2019     BA Fashion Design, China Academy of Art, China



Exhibition:

19-28/01/2024,  Short film The Room it Leaks selected by London Short Film Festival LSFF

07/12/2023, Short film The Room it Leaks, screened in Berlin Studio,dB as as part of  Videoclub Ed.16 screening

29/10/2023, collaborating short film BUBBLES, screened at Extrapool Weekend, Nijmegen, NL as part of Video Club collective

20/07-25/07/2023 - Goldsmiths MFA Degree Show

03/05/2022, collaborating short film BUBBLES, screened in Berlin at Sameheads & 16/05/2022 in New York at the living gallery as part of Videoclub Ed.12 screening


17/02-19/02/2023 - Group show Quote unquote, Ugly Duck, Bermondsey, London


13/08-17/08/2022 - Group show Omitted References, The Art Pavilion, Mile End Park, London


01/07/2022 - Riposte London  (queer art Pride rave), Electrowerkz, London -as collaborating artist


16/05-17/05/2022 - Group show Our Body Are Portal, Asylum Chapel, London


09/05-11/05/2022 - Group show At the edge of safe house, Safe House, Peckham, London

04/03-16/03/2022  - Group show Futures After, Peacock, Catford, London


10/12/2022 - Group show ON HOLD, Goldsmiths,London


21/08-11/09/2021 Group show The Law of Alchemy - Three Shadows gallery, Beijing, China


23/07-22/08/2021 Group show Double Interval - Huangshan, China - as curator & artist


2019 Lin Fengmian Creative Award given by China Academy of Art


Curation project:

03/10/2023 - Screening If Splash as Your Whistle vol.2 at IKLECTIK, as organiser, London


27/05/2023 - Screening If Splash as Your Whistle vol.1 Goldsmiths Contemporary Art Centre CCA residency space as the organiser and artist, London


23/07-22/08/2021 Group show Double Interval as curator & artist, Huangshan city, China


Publication:

4/2022 work included in The Land From Which We Come  - Sola Journal










Catching the Moon 2020︎

Video installation
1’00’’




         

click pic to watch the video



︎Monkey Catching the Moon is an old Chinese fable: a group of monkeys wants to catch the moon and think that the moon's reflection on the water is the real moon, so they try their best to catch it but are only in vain. As I grew up, anything about the period could not be seen but be laughed at or even insulted. A sense of period shame that has been with many girls, including me, for many years.

The image of the period in today's patriarchal society is like the reflection of the moon on the water in the Monkey Catching the Moon. It does exist but only like to avoid. All the struggle for it is likely to become futile, but the spirit of catching the moon should continue. Simultaneously, the gesture to wipe period and the gesture to catch the moon reaches a consensus and connection, such as a kind of revolutionary call.

So I would like to be the monkey in the story, using the results produced by the moon-catching gesture and wiping-period gesture to do integrated performance under the projection, to form a reflection of the period in today's society: existing but equivalent to nothing.︎



           


           


                            
INTO CRACKS 2020︎

B&W video with sound
3’12’’


          

Negative Capability : I mean Negative Capability, that is, when a man is capable of being in uncertainties, mysteries, doubts, without any irritable reaching after fact and reason.

—The first mention of negative capability in a letter to brothers George Keats and Thomas Keats on December 8, 1817

Inspired by the unconscious rambling experience of myself at night in Shanghai,2020. A human activity filled with uncertainties, darkness, mysteries, and doubts that turns introspection into outdoor activity, in which the mind, while the body operates only daily takes a grand adventure to put aside all knowledge that it knew. Such activity is designed to free one from the bonds and constraints of a human's identity. By gradually abandoning the likes and dislikes and the individuality, the one is degenerating into "nothing" and is slowly accepting "everything," reaching the balance of the non-subject object relationship between the environment and people. I found that the water in the environment has the same properties as the person in the drifting. I use water to turn the actions of one person into countless, into a group of people walking.


          

CLICK ABOVE PIC TO WATCH THE VIDEO


         
                 

                                 
                              

                                                                                                                       Exhibition view, DOUBLE INTERVAL, 23/07/2021-22/08/2021